In this blog post we will reveal, is ‘mission raniganj’ based on a true story?
How often does theatrics and melodrama eclipse a story of bravery and heroism? The obvious answer is, far too frequently. Mission Raniganj is one such picture, with theatrics to the limit; a film so loud that its own story sometimes gets lost in the chaos.
Is ‘mission raniganj’ based on a true story?
In November 1989, a coal mine at the Mahabir Colliery in Raniganj, West Bengal, flooded, killing 71 miners (others were rescued in response to distress calls). Freedom Sale Senior Engineer Jaswant Gill conducted a rescue mission of exceptional bravery and wit.
The film mission raniganj ,is primarily focused on Gill’s brilliant idea to utilize a space capsule to rescue the miners from the mine after all other efforts failed. Several barriers develop in this quest, including the “villain” of the film, mining engineer D. Sen (Dibyendu Bhattacharya). The majority of the Bengali characters in the film are caricatures, frequently overly animated.
At one point, a man is practically tied to a pole and beaten; this may be the film’s idea of “justice,” but the film’s true plot is taking place elsewhere.
Akshay Kumar plays Gill with restraint – he is both humble and confident. Kumar’s talent is on display in scenes where he appears to be fighting an invisible force; the need to “do something” – he stands by awaiting the order to come from the man-in-charge Ujjwal (Kumud Mishra), but the entire time, he appears tightly wound, ready to burst into action.
The rescue effort’s hero was undoubtedly Gill, but there are other heroes in the film, ranging from the people who ceaselessly work in the background to make the mission possible to the miners attempting to stay alive in perilous conditions. The majority of these characters are seen in action, including a dissatisfied former employee named Tapan (Veerendra Saxena) and the jugaadu Bindal (Pavan Malhotra).
The mechanics of the rescue mission are fascinating to observe. When something goes wrong, it’s impossible not to let out a collective gasp or grab the edge of your seat in despair.
There is so much more tale in Mission Raniganj that would have only added to Gill’s story. As survival and optimism grow more difficult to grasp, schisms form among the remaining miners; tempers flare, and blame is transferred.
Some exchanges appear to be intended to be screamed out, punches are thrown – all of which are credible given the circumstances – but where are the emotions that lie beneath the noise?
Nothing else is observed besides a usual Bollywood “there’s fear under his anger” cliché. One thing the film does well is depict Bashu (Jameel Khan), one of the miners who tries to unite his comrades and be the voice of reason and calm.
Mission Raniganj does not shy away from criticizing authority, albeit in the first half–administrative neglect becomes apparent, and we witness how personal gain frequently outweighs the desire to work for the greater good. Kumud Mishra delivers one of the film’s most powerful passages, in which he virtually begs his colleague not to prioritize his desire for petty vengeance over the prospect of saving lives. It begs the question.
Conclusion:
The foundation tale has intrinsic drama – it’s a subject that will elicit emotion even from the most hardened of hearts – and if director Tinu Suresh Desai had trusted the merits of that story, Mission Raniganj would’ve produced an unforgettable picture. One of the film’s most visible weaknesses is in its technical execution; both the camerawork and the editing appear rushed; we feel compelled to experience the intensity in a scene.
Despite its drawbacks, Mission Raniganj is intensely compelling – it’s taut, gripping, and dramatic; you’re perpetually waiting for the other shoe to drop.
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